Framing Standards
At NRW Framing we frame to any of the 4 levels of the Framing Standards. You have a choice about how much or how little you want to safeguard your picture
Level 1 (Ultimate level) Framing
Ultimate protection using conservation methods and the best quality conservation materials
Why choose Level 1 Framing?
Previously known as Museum Framing, Level 1 framing is not confined to museums’ works. Some artwork gains museum-quality status over time. Works that are to be preserved for future generations, including high value items and artwork of potential or historical value should be framed to Level 1, where possible. Processes are intended to be fully reversible for at least 35 years, which means that the framed work can be returned to its former state, i.e. prior to framing, at any time, assuming that the artwork is not inherently unstable.
Level 2 (High level) Framing
High level protection using conservation methods and conservation materials
Why choose Level 2 Framing?
Previously known as Conservation level, Level 2 framing gives a high level of protection for your artwork or objects, whilst looking good and enabling you to view your framed work to best effect. It should give virtually as high a level of protection as Level 1 framing and in many markets, for example the USA, no distinction is made between the two. By using conservation quality materials and the best techniques, the framer can give your work protection from physical and mechanical damage, airborne pollution and acids generated by many framing materials.
Level 2 framing should be good for 20 years in normal conditions
Level 3 (Mid level) Framing
Mid level protection using good quality materials and methods
Why choose Level 3 Framing?
Previously known as Commended Level, Level 3 framing should visually enhance the artwork and will give a moderate level of protection from physical and mechanical damage, airborne pollution and acid damage. A window-mount or slip should normally be used to visually enhance the artwork and distance it from the glazing. Processes do not have to be reversible so make sure your framer knows if the chance to get your work back to its condition prior to framing is important to you. The Guild recommends that processes should be reversible whenever possible, as the future value of works cannot always be foreseen and work ‘in mint condition’ commands the best secondary market value.
The target time for this level of framing is around five years in normal conditions
Level 4 (Low level) Framing
Low level protection using basic materials and/or methods (we don't normally frame at this level, as it does not require professional standards to achieve)
Why choose Level 4 Framing?
We don't normally frame at this level, as it does not require professional standards to achieve. We can provide frames and mountboard for customers to insert their own pictures or artwork.
Level 4 framing provides a basic frame at minimum cost; the price overrides the frame’s visual appearance and quality but it should still be well made with neatly joined corners. If there is a mount, this can be made from Level 4 mountboard, but it should be cleanly cut and should be free of blemishes. There is no requirement to provide any protection or visual enhancement of the artwork at this level.